Friday, April 30, 2010

SASS~e, Spring Art Show & Sale

The Cowichan Valley Arts Council (CVAC) presented SASS~e, the 4oth annual Spring Arts Show and Sale extravaganza from April 21 - 25, 2010.

The annual spring art show featured over 100 acclaimed artists of the Cowichan Valley, showing over 200 recent works of art.

2010 Award Winners

People's Choice Award
Crystal Heath, Poppies and lavender

Award of Honour
Joel Blaicher, Lurking Caiman
Tom Faue, Little Big Man, for Joe Fard
Sonia Galbraith, Take The Ribbon From Your Hair
Crystal Heath, Untitled Abstract
Sirius Hickling, It's not a Penguin
Tammie Hunter, Daydream
Betty Locke, Beautiful Things
Jo Ludwig, Landed
Heather Martin-McNab, The Response
Gayle McIvor, Cloak of Cosmic Consciousness


Award of Merit
Dennis J. A. Brown, Andrew's Influence
Daniel Cline, Ascending
George Cruickshank, Holocaust Suitcase
Daniel Deschamps, Oración
Angus Galbraith, Igloo
Jennifer Hedge, Past, Present
Peter Lawson, Howe Sound
Heather Martin-McNab, Ascending
Bernadette McCormack, Woman Divine
Edie Miller, Cats' Night Out
Françoise Moulin Durham, Woman's Paintbrush in the Forest
J. Neil Newton, The Last Message
Julie Nygaard, The Walls Unite
Maria Raynor, Basket Study
Susan Whyte, Contrast #2

Thursday, April 22, 2010

Hiking on Vancouver Island

Totem pole carved by Oscar Matilpi, 1985 and © City of Duncan
Totem pole carved by
Oscar Matilpi, 1985
© City of Duncan


Beware venturing off alone in the woods outside the City of Duncan on Vancouver Island.

Dzonoqua is known as the "thief of souls and children", the "cannibal giant" and the "wild woman of the woods". This black, bushie haired giantess cannibal wanders the rainforest making whistling sounds to attract lost children, and others. She rubs pitch in their eyes to blind them and tosses them into a basket made of snakes that she carries on her back.

Dzonoqua is strong enough to tear down large trees and make the earth tremble with her voice. She takes her captive innocents to her home deep underground where she and her husband might dine on them but more likely use them as slaves.

At the end of Kenneth Street, in "The City of Totems", is a pole carved in 1985 by Oscar Matilpi showing Dzonoqua carrying "coppers", symbols of wealth and prestige.

Still, you must never lose hope. It's said "those who escape her slavery and make their way home become wealthy".

Never hike alone in a rainforest!

Monday, April 19, 2010

River, a poem by Rojan Zét

River

At morning light,
moored water-skin wavers white
while beaded, billed web-paddlers cite
inspections.Rojan Zét is the resident poet of the Cowichan Valley Arts Café

In mirror-ripple mirrorings a
river-lilting transom sings
silver-silent murmuring
reflections.

Flower blossoms drop in sight
littering this river's flight
casting grey with shades of white
rejections.

Evening shadows by a boat
in blackness water-petals float,
birdsong glistens from some throat's
inflections.

Supple darkness full of night and
sweeping current, throws its might
below us seeking right
connections.

Rojan Zét

Sunday, April 18, 2010

Cleo's Heron, photography by Julie Nygaard

Cleo's Heron, 2009 digital photography by Julie Nygaard

Cleo's Heron, 2009
digital photography by Julie Nygaard

Finally.... I have a photo of a heron......... every time I see them, I of course, forget my camera at home and by the time I get back to where I saw them, they are gone! I had my friend Cleo with me on a fun photography afternoon! The universe brought me my heron..... with my camera in hand this time!

~ Julie Nygaard

Shadow Rider, a poem by Susan Christensen

Shadow Rider

The poem Shadow Rider written by Susan Christensen and printed on a self-portrait by her daughter, Daphne Christensen

The poem "Shadow Rider" written by Susan Christensen and printed on a self-portrait by her daughter, Daphne Christensen

Monday, April 12, 2010

Thoughts, Once Uttered, by Manuel Erickson


Thoughts, Once Uttered

© 2003, 2006 Manuel Erickson

They walked along a trail into the dappled light of the forest, her husband beside her. They shouted at each other, hands and arms gesticulating with each point of their argument. He limped from an old accident and she noticed the scar on his left cheek glowing red. It always grew red with his anger.

“You don’t understand,” he said.

“Yes, I do. You feel I haven’t supported you because I don’t want to move up here while you paint.”

“Right, and your lack of support makes me wish I could run away.”

She let out her breath. “So, run away, if you don’t want to live with me any more.”

He looked at her, his brown eyes welling up.

“Maybe I will,” he said.

“Why here?” she said. “There’s nothing here but trees!”

“Yes. And they’re gorgeous, but you can’t see that. It would be wonderful to live among the animals and trees.”

They penetrated deeper into the forest. Though absorbed in their quarrel, she noticed small animals fleeing across their path and birds taking flight before their loud voices.

She walked ahead, then asked him a question and turned for the answer, but he was no longer with her. He always gets distracted so easily. He’s probably looking at a flower or something. She felt uncomfortable being alone in the forest.

In a trembling voice, she called, “Where are you?” She ran back the way they had come. Perhaps he had fallen because of his leg. She reached the trailhead, then dashed back into the forest, still calling.

Ahead, the bushes rustled. She stopped, breathless and frightened. A handsome bull elk stepped onto the trail, blocking her way. It stood motionless and looked at her, its large brown eyes slowly blinking as it took her in. Its huge rack of antlers grew like trees from the top of its head.

“My god,” she whispered, “you’re beautiful.”

So as not to alarm it, she edged closer. It stood perhaps five feet at the shoulder and stretched seven or eight feet in length. Its coat was mainly brown, with short, narrow, horizontal streaks of black, speckled with flecks of gold, making it sparkle.

Beside it now, overawed, feeling its warmth, hearing its breathing, she felt calm, safe.

She put out her hand to stroke the fur and the elk lowered its head so it was even with hers. She withdrew the hand.

The bull extended the tip of its tongue and licked her cheek, then gently rubbed the side of its head against hers. She gasped and took a step back. She felt at once thrilled that a wild animal would do this, and horrified that she might catch something.

The bull gazed at her. Its eyes welled and a tear dropped to the ground. It backed away, holding her gaze. The left cheek had a scar. She gasped. He turned and limped into the forest.

Sunday, April 11, 2010

Individualism

"Art is the most intense mode of individualism that the world has known."
~ Oscar Wilde

Individualism by Wilde Raven
Individualism digital painting by Ron Greenaway

Friday, April 9, 2010

A Common Bond, by Manuel Erickson

~ To the Memory of Bruce Daffe

I don't know you who shares the air with me as you fly through;
You don’t know me who shares the air with you.
But there's a common bond between us as you go your way:
Your plane and mine, the love we show today.

I know that if I were to fall you’d search for me 'til night;
Were you to fall I'd search with all my might.
The common bond that flyers have is made of solid steel:
Your plane and mine; it's just the way we feel.

Even flyers don't know what it is that urges us to fly;
It’s not enough merely to climb high.
It could be what we see when we rise above the Earth:
For every time we fly, we give birth:

We give birth through our eyes and let our feelings soar;
We start to sing and dance and what's more,
We feel the common bond between us as we fly away:
Your plane and mine, the love we show today.




* Bruce Daffe was a pilot who suffered a massive heart attack as he flew his private aeroplane. He was dead before his plane reached the ground. At fifty-nine, he died while pursuing his favourite activity.


© 2001 Manuel Erickson

Thursday, April 8, 2010

Manuel Erickson

Manuel Erickson was born in Toronto and educated there and in Waterloo, Ontario, receiving his B.A. from the University of Waterloo. He says that his political science degree only taught him how to write; it never opened a career door. Manuel has written on and off since his teens. He has published articles in the Ottawa Citizen, Canadian Aviator magazine and in various anthologies, including five creative non-fiction stories in Through the Window of a Train, published by Borealis Press of Ottawa in June 2010. He has completed a book about steam trains that is ready for publication.

Manuel Erickson has graciously agreed to provide readers of the Cowichan Valley Arts Café with postings of creative writing.

This is a list of his submissions to the Café to this point in time.
See also:

Wednesday, April 7, 2010

Net, a poem by Rojan Zét

Net

What strange understanding
separates those who love,
throws together those whoRojan Zét is the resident poet of the Cowichan Valley Arts Café
love not, casts love to
the winds, and keeps love
from those who desire it?
I am a stone hugger; I
kiss them, and they love
with no understanding.

Rojan Zét

Tuesday, April 6, 2010

Upright Driftwood, by Susan Christensen

Upright Driftwood

Upright Driftwood
(Musings on the alpine meadows of Mt. Washington)

Lightning blasted or feasted on by beetles,
These limbless skeletons
Stand tall amongst the alpine blooms--
A testament to the endurance
Of strong roots and communal support.

These afterlives are the monoliths of the past
Filling a present purpose.
They are the upright driftwood fixed in the swampy earth,
Old sign posts of history proving
An integral part of vibrant growth—
Giving substance to the young,
Hosting, sharing and sheltering
The myriad lives of the meadow.

This alpine scene, seen only by rare intruders,
Is complete unto itself.
Quietly, glorying in the cyclical seasons,
Ancestral arboreal remains
Stand starkly
Smooth as weather-stripped barkless bones
Bearing witness to the past,
Punctuating the green present.

Here, an individual makes his mark
By simply being.
There is no need for some unnatural graveyard
Of neatly filed remains with stone engravings
And artificial flowers.
There is no need to travel far from home
To make one’s imprint on future generations.

by Susan Christensen

The Poetry of Trees Gone By, by Susan Christensen

The Poetry of Trees Gone By

The Poetry of Trees Gone By

(Musings on Campbell River's shoreline)

Driftwood, nature’s recycled artwork
Gnarled, twisted, tangled tree bones washed upon the shore.
Temporary landmarks on the beach
Having a newly picturesque life
So totally removed
From their still standing forest of fellows.

After eons of tossing
In the perpetual motion of waves,
Debarking, shedding their dead skin,
Reduced to timeless silvered skeletons
They reveal an incredible individuality
Not evident in their first lives
As just one more tree entwined into the evergreen forest.

Now, roots and all, the bleached, heavily grained surfaces
Rest like poetry in the sands.
No longer functional, practical entities.
No longer statically rooted in place,
But honed like thoughts,
Metaphorically, they present new points of view
Sparking the imaginations of future generations
By laying bare fundamentals of the past.

by Susan Christensen

Friday, April 2, 2010

Susan Christensen

Susan Christensen has graciously agreed to provide reader's of the Cowichan Valley Arts Café with regular postings of creative writing and imagery.

This is a list of her submissions to the Café to this point in time.