Monday, July 5, 2010

Snype Hunting, a poem by Rojan Zét

Snype Hunting

Seldom seen, rarely heard, near Chemainus
there lives a bird said by the natives
to be nocturnal, very lovely when observed.
But sightings few and far between give
rise to rumours undeserved that the wily
Snype undocumented cannot be real, must
be invented.Rojan Zét is the resident poet of the Cowichan Valley Arts Café

So just for the record let me say, I
think I saw one yesterday. Out on the
marshes, between the reeds, not far from
where the heron feeds, a movement across
my vision blurred and I glanced where I
saw something stirring, a flash of red
and brown was whirring. Right before
my eyes this bird, not seen in any skies,
drumming strong and strumming long its
dance amid strange goings on.

And then it came to me - last summer,
near the ferns above the river - heard
one night while I was humming, this same
drumming, the self-same strumming. Now
displayed without disguise, this bird
before my very eyes, its plumes arrayed in
radiant glory telling me its untold story...

long ago in times of old those wings once
flew its glory - big, strong, and bold.
Gigantic flocks obscured the sun but now
it hides because it's sorry. Something
happened long ago but what it was, I
still don't know.

Bobbing its head as though in fright,
bowing and turning left then right, low
to the ground, its eyes downcast, tail
feathers tall, erect and trusty, bright
with colours looking somewhat rusty,
this dancing bird said something funny
while something else smelled, old and
musty.

Entranced I watched - mesmerized - and
in a moment, hypnotized. The next
second I awoke and thought I'd heard
a bird that spoke, but to this day
I can't recall if there was anything
it said at all. They think this bird
is mute and does not fly, more research
will be needed to discover why.

Rojan Zét

Sunday, July 4, 2010

The Snipe

Turn up your speakers and click "Play".

Friday, July 2, 2010

Paul Fletcher, fotographer

Profile of an Artist

Artwork by Paul Fletcher
Artwork by Paul Fletcher
As a traveler I am always searching for the image. I thirst for this experience, the discovery of a new image, one that is etched in my memory the moment it is seen or the moment the shutter is pressed.

Sometimes I see something that is not quite there, a visual enticement that does not show itself fully. Sometimes I have to search with my bare eye, or sometimes with my eye pressed tight to the viewfinder. Doesn’t matter, it’s all in the seeing. The sub-conscious guidance to the perfect visual end has to be trusted without physical intervention. This is when the magic happens and the inner voice whispers Now!, and I trip the shutter. There is nothing to review to confirm the certainty of success. It is already known.

Please share my joy at www.fletcherfoto.ca

Thursday, July 1, 2010

Daniel Deschamps, multimedia

Profile of an Artist

Daniel Deschamps
Daniel Deschamps
Daniel Deschamps is native to New Caledonia, a South Pacific Island. In 1989, during a time of civil war, he and his family immigrated to Canada.

Daniel is Metis; his multicultural heritage has gifted him with a unique cultural and religious upbringing. This is reflected in his art which displays a rich layer of tradition. His work is inspired from his roots, contemporary life and from history. His love of God is often reflected in his work.
Oracion, artwork by Daniel Deschamps
Oracion, artwork by Daniel Deschamps

Daniel is a talented and prolific artist. Ranging from illustration to stone work and pottery, Daniel has an obsession for art. He will re-purpose many found objects to satisfy this need. At times, he will paint on cardboard, sculpt in foam, or draw on his arm simply to satisfy this obsession.

His thinking is that function precedes form and so, form can be transformed to suit a new function. For example, he once converted an old bed frame into three easels for his studio.

Daniel recently won an Award of Merit for a pen and ink illustration titled "Oracion" in the Cowichan Valley's 2010 SASS-e Spring Art Show Sale and Extravaganza.

Manuel Erickson, writer

Profile of an Artist
Manuel Erickson
Manuel Erickson
photo by Brian Dickinson

Writing, I think, is much like photography, painting, sculpture or music: the subject matter is infinite, the meanings, profound – all because of the intricacies and myriad forms of life on our planet. My talent, such as it is, is pretty much confined to writing, though I love to photograph the nearby woods and to play my piano. Painting and sculpture? I can’t do either, but I can certainly appreciate good works.

As with all forms of art, writing helps to reveal our spirit and emotions to others. I admire writers who succeed so well at this and I try to learn from them. Shakespeare comes to mind, as do Margaret Atwood, Richard Bach, Jared Diamond, Arthur C. Clark and a host of others. They write in the gigantic book that is the Earth. They are my mentors and I am inspired by them.

There is something to learn from each book I read, whether it’s an autobiography, novel, or non-fiction. I’ve learned that detail makes a piece of writing come alive on the page because it draws the reader into the words. Detail is akin to a multi-coloured painting or a complex composition by Bach or Beethoven: it holds our interest.

At the same time, simplicity, the antithesis of detail, can be emotionally explosive, especially black-and-white photographs of people or landscapes hung over by rain clouds. So, too, can a colour photograph of a single, tiny, five-petal flower, mesmerizing the viewer with its beauty.

Where does a writer get ideas? That’s the common question. The answer is – from Everywhere; from Anywhere; from inside oneself; from conflict among humans or in Nature; from situations; from newspaper articles; from bland descriptions that can flame into a story... Never has there been a single answer.

As does a good photographer, painter, sculptor or musician, with any piece of writing I am trying to tell a story in the best way I can. Yet it is often a mere snapshot in time, catching a momentary situation on a certain day or in a particular year or over several years or decades. I think my steam train stories, published in the anthology, Through the Window of a Train, are like that.

Subject matter is infinite and I wish the days were longer, my energy unlimited, and my writing ability, too! There is so much to say.

~ Manuel Erickson


Moderator's note: Manuel Erickson is a contributing author to the Cowichan Valley Arts Café. Find a list of his here.

Friday, June 25, 2010

Manuel Erickson publishes steam train stories

Cowichan Valley writer and Arts Café contributor, Manuel Erickson, has written 5 stories in a just-published anthology about trains.

photo by Russ Watson

"Through the Window of a Train: A Canadian Railway Anthology" contains stories and poems by thirty authors who love trains and what they stand for.

"This journey begins in Craigellachie, amongst the verdant mountains of British Columbia, where the famous last spike was driven home. The reader is then transported to Vancouver Island and across the Prairies to Nova Scotia, and from the era of steam to diesel-electric trains. Relive hilarious, hazardous, and historical moments as you peek through the window of a train and into the past. Meet gandy dancers, a rookie running out of steam, lost immigrants, and women entering the male-dominated world of the railway. Experience asbestos snowball fights, boxcar classrooms, and silk trains as they blur by your window."

For more information and to purchase the book visit The Borealis Book Publishers website.



Moderator's note: Manuel Erickson is a contributing author to the Cowichan Valley Arts Café. Read his "Profile of an Artist" or find a list of his contributions and a link to his personal website here through which you can contact him directly.

Thursday, June 24, 2010

Tuesday, June 22, 2010

Password, by Rojan Zét

Password

The presentation that evening leaves me cold but standing at the door you return alone for a moment with eye contact and I ask, "What's the password?" The reply directed to me is, "Love!" accompanied by the warmest, most genuine, and spontaneous smile I've received in a long time. How deeply this reached into my heart leaving an immediate sense of joy and rejuvenation, and new understanding of life. Without thinking I replied, "You've got it!" discerning almost immediately that communication had occurred, a door opened and access granted without even knowing the right question or the correct answer.

Known or not, the pass-word concept correctly used responds with invitation; it represents inclusive attitude of congruence and agreement in principle between parties, allowing entry to relationship and signalling a level of potential trust. Even an action such as gently removing a spider and placing it outdoors can be a "pass-word" creating such an opening. Often we find the concept of password misused for screening, exclusion, and for identification purposes. Correct understanding and recognition of passwords represents more than just a key or ticket, it is the main show itself. It signifies not a secret code, but an attitude of shared values.

Rojan Zét

Thursday, June 17, 2010

Vancouver Island magic

It's my 31st wedding anniversary and it's a beautiful day. The sun is shining and the sprinklers are on in Hoey Memorial Park in downtown Duncan, the "City of Totems" in the heart of the Cowichan Valley on Vancouver Island.

The grass looks extra green, a city works crew is planting flowers and the air is filled with a sunny disposition. I'm feeling good and I'm ready for storytelling.
Marriage Totem Pole carved by Harvey Alphonse and Nelson Canute
Photo by Ron Greenaway
Carving by Harvey Alphonse
and Nelson Canute

© City of Duncan

I'm wandering around Duncan's original train station where my "Totem Pole Tours" sign is at the corner. I'm watching the daily island commuter train arrive. Leaving from Victoria in the morning, this train passes through Duncan on its way up island to Courtney and again on its way back to Victoria in the afternoon. It's 9:35 in the morning, and everything in my world seems pretty much on schedule.

Down the tracks, I can see red lights flashing and hear the clanging at the crossing. Blasts from its air horn announce the arrival. A train has stopped daily at this location since a farmer named Thomas Duncans allowed the railway to put this passenger stop on his property in 1886. The train commanded attention even within the buzz of cars and people on this particularly busy Monday morning at the corner of Station and Canada streets.

While this old passenger train comes to a rest, the conductor confidently hops off and places a small platform on the ground to assist people getting off and on.

A few people get off and I see a couple walk over to admire a totem pole I know to commemorate marriage.

I walked over and introduced myself as the City of Duncan's Totem Tour Guide. They were a married couple from Oklahoma, undertaking travels to celebrate, as I was told, 43 years of marriage today.

As we chatted, the gentleman disclosed he had had cancer but after treatment was recently declared "free" of the disease. "This is another reason we're celebrating", he said. He appeared in good health and I spontaneously said so.

I tell them, "The totem pole you're looking at is a pole that celebrates marriage. It was carved by Harvey Alphonse who was Chief of the local Cowichan people".

I point out the two eagles, one above the other, and the fact that eagles mate for life. "That's why two eagles were chosen for this pole. First Nations people believe marriage is a sacred and eternal union. The eagle at the top has wings wrapped around a human and is protecting that person in a state of marriage and the eagle at the bottom is standing on and supporting the partner in that relationship. It teaches spiritual values of marriage ", I said.

Well.... both the lady and the gentleman turned and faced one another. He looked at her, put his arm around her, she smiled at him, they kissed, smiled into one another's face and then looked back at me. I saw their eyes sparkle. They asked me to take a photograph of them, arm in arm, by the marriage pole. They were so happy they glowed... in a special shared moment.

It seemed appropriate, at least to me, that I share with them that "today is my 31st wedding anniversary". They broadly smiled and shook my hand and insisted on taking a picture of me by the marriage pole!

By 9:55 am, I've said goodbye to my visitors from Oklahoma, the train has pulled away and a magical shared moment had left me feeling spiritually connected.

...and... ready to tell another story.

Tuesday, June 15, 2010

Neil Fatin, photographer

Profile of an Artist

What I enjoy most about photography is the endless supply of subject matter and the ability to capture special moments that offer themselves to anyone living on this planet.

Infeliz Nina, by Neil Fatin
"Infeliz Nina" by Neil Fatin
We live in a truly remarkable world and if you know where to look, or stumble on a unique situation, you can use the camera to share those moments with others.

I continue to be inspired by the work of other photographers and what their eyes see. In addition, I always remain awed by what artists also interpret from the larger canvas of life and nature. Overlaying all of this are the subtleties of lighting throughout the course of the day, the weather and the seasons and the huge impact they have on the subject matter on offer.

The composition of the picture comes from the subject matter itself, there are aspects to a scene that just look right to the observer and over time one attunes themselves to this. There almost always seems to be a better way to present what one sees and sometimes this comes from a keen interest in what other photographers do.

So what do I interpret the term photographic art to mean? Having obtained the image, is there a better way to present it and overlay one's interpretation of the image that hit the negative or the sensor in the camera. Just as an artist will provide his or her interpretation of the image they have seen in reality or in their mind, the photographer can do this with processing as much as the artist uses mixes of colours and interpretive brush strokes to provide a final image.

At the end of it all, what I am trying to achieve is an image that I find interesting, will tell a story and will be captivating enough for others to take notice and enjoy. That is, to move from being self indulgent in ones work and hope the image is received by others with enjoyment or any other reaction other than a reaction of indifference. If the latter is the response, then I consider it a failure. Therefore, in essence the term photographic art to me means, using photography to obtain a reaction from the viewer. The snap shot is just that; it is a shot of something in front of the camera without the story telling, i.e.. a photocopy of what was in front of the lens.

One of my regrets is that I did not have the time during my working life to engage in photography in a more serious way.

There are countless possibilities with modern technology and the learning curve can be quite daunting, but as daunting as it is, it is also challenging and rewarding. It is one of the meanings of life...

~ Neil Fatin


Other artwork shared by Neil in the Cowichan Valley Arts Café includes:


Learn more about Neil Fatin visit www.neilfatinphotoart.com

Thursday, June 10, 2010

Karen Nelson, painter

Profile of an Artist

Karen discovered her artistic talents while doodling on her cast after she broke her ankle horseback riding in 2002. Her favourite mediums are watercolour and acrylic, used to create heart-warming pieces of imagery.
artwork by Karen Nelson
artwork by Karen Nelson


Karen appreciates the peaceful nature of Vancouver Island and it's abundance of birds and flowers. Viewers benefit from the healing properties of her artwork. Her talent is divinely guided and she appreciates the opportunity to channel the spirit world as she paints her visions into compositions. She continues to develop her style and technique by attending a variety of workshops. Gardening is also a source of great enjoyment for Karen.

Karen was born in the city of Calgary amidst the prairies of Alberta. Her background as a Registered Nurse and Healing Touch Practitioner have contributed to her spirituality and understanding of mankind.

Karen Nelson is known for her original paintings on the book covers of "Messages of Hope and Healing" and "Make It Happen! Use Your Intuition and Positive Spirals".

Halo Creations
Spiritual Art
(250) 710-0276
Mill Bay, B.C.
Email: karenshalo@hotmail.com
Website: www.karennelson.org

Tuesday, June 8, 2010

Vic Nadurak, glass artist

Profile of an Artist

SEAFIREGLASSWORKS is located on Vancouver island. This ocean side studio is located mid island in the town of Ladysmith.
artwork by Vic Nadurak
artwork by Vic Nadurak

Vic Nadurak is a retired shop teacher and the artist behind Seafireglassworks.

"I love working with glass. Sometimes you follow the glass serpent, other times you take it by the tail and drag, push pull it to conform to your rules. Such a journey, following your imagination, into the glass universe."

Vic's artwork can be found at Imagine that! in Duncan, on Vancouver Island... an artisans co-operative.

Workshops are offered.

All glass products are made on site, with colours from Northstar glass, Momkas, Glass Alchemy, and Tag glass.

For more information visit Seafireglassworks.

Monday, June 7, 2010

Cowichan, a poem by Rojan Zét

Cowichan

By the bridge below Tzouhalem,
where the native lore is learned,
a cart track leads past edges burned,
through farmer's gate, the bolt returned. 

An eagle flies above unseen while
twitter in the trees and green of
scrub and brush this afternoon
gives song to sun with me. 

The butter church stands high above
abandoned like forgotten love; behind
a vagrant hedge the river swishes
rolling stones forever down to
unknown edge or destiny  -
into mud or deeper sea. 

Turn away just at a bend,
go down where this path comes to end
and reach this river's bed, see how
mud traces cover fields of stones
left lying here for now. 
Rojan Zét is the resident poet of the Cowichan Valley Arts Café
I reach the edge of where this body
flowing steady, always ready for
what lies there in its path, takes
away the aftermath of drunken
parties, burning fires, and
detritus of old desires. 

Quiet now, I stand in worship,
solitary in my purpose, slowly
take off all my clothes and
enter there where no one knows. 

Sun above and Earth below, I
dip my head, bring myself low,
immerse this body, fully sink
and rise again. 

Running by and flowing over,
caress me here my only lover;
my cold nakedness and yours
is warmed in sunshine at your shores. 

Risen: left behind one life. 
Witnessed: left behind all strife.

Though memory still remains of dog,
long lost homes, miscreant wife,
wash old away, bring new life risen -
with a Cowichan baptism.

Rojan Zét

Sunday, June 6, 2010

Baptism

"Baptism" digital imaging by Ron Greenaway inspired by the poem "Cowichan" written by Rojan Zét.

Baptism, digital imaging by Ron Greenaway

Friday, June 4, 2010

Clare Carver - silk painter

Profile of an Artist

Clare Carver - Silk PainterI took a water colour painting class with my son when he was in middle school. We both love this medium and continued in the class for a couple of years. Ben moved on to art high school and I continued painting for fun, when I had the time.

In 2004, I quit my work as a clinical counsellor in Ottawa and moved to Vancouver Island to start a different life. I took art classes at the then Malaspina College and learned how to draw. I experimented with charcoal (lovely) and chalk pastel (gruesome) and then went back to watercolour. It's sometimes hard to go back to something when you have tried other things, and I found that I wasn't as excited or motivated as previously In spring 2008 I went on holiday to Bali and, while there, took a course on batik with a water colour artist......I was hooked!

When I got back to Canada, I started by using the traditional batik method. I melted wax and, with a tjanting tool, I drew my picture. My mum, years before, had sent me silk paints and, as I discovered when I eventually found it, yards of silk. Since then, after much research and frustration at the few places that deal with silk painting supplies, I moved on to a water based resist (instead of wax) and then to silk dyes which, although more work, in that they have to be steam set, are more vibrant than the paints and longer lasting.

artwork by Clare Carver
artwork by Clare Carver

I am enjoying finding new things to paint in silk. At present, I am painting cushions, wall hangings, scarves, purses. ties and moving to painting shawls and sarongs. I am a member of the Visions Art Tour and their Cowichan Valley Art Trail. My cushions are being sold at Imagine That Artisans’ Designs in Duncan, where I am a member, Lobelia's Lair in Nanaimo and the South Shore Gallery in Sooke.

My studio is located in Cowichan Bay at 1840 Koksilah Rd, phone 250 597 4506.

Visit my website at www.pillotalk.ca

Thursday, June 3, 2010

Money DOES grow on trees....by Julie Nygaard

Spring Blossoms, artwork by Julie Nygaard
Spring Blossoms, 2008
artwork by Julie Nygaard

Well, this morning I had my daughter remind me that "money does grow on trees..."
The conversation was started by my son who constantly is in the "want" mode - I have tried to explain to him that we all have "wants" though we have to deal with "needs" first....basic, everyday stuff - bills, food, etc.....I tried to explain to him that money does not grow on trees and that it is good to "want" things (Lego, games, etc..) and if he saves his allowance and does his chores his "wants" will be reality. My daughter was very quick on telling me in her biggest voice - "Mommy, paper is from trees...so, money is from trees...there are alot of trees right Mommy?" - now, this was a "lets put my foot in my mouth moment"...how was I suppose to answer back to my 6 year old? I did tell her that she was right......I guess money does grow on trees, we just have to find one!

~ Julie Nygaard

Wednesday, June 2, 2010

The Invasion Has Begun - A Vignette

© 2003, 2005 Manuel Erickson

It was Monday, June the fifth, nineteen forty-four.

In the living room of our Lauder Avenue home in Toronto, my six-year-old brother, David, and I played a game of war. Small model soldiers, tanks and aeroplanes substituted for our version of World War Two. Mom and Dad were out for the evening, leaving Wilf, our fourteen-year-old brother, in charge. Taking a break from his homework, Wilf came in and said, "Time for bed, David." Being older, I was allowed another hour. Then I went to bed and slept almost instantly.

The upstairs hall light created a beacon through the crack of the slightly open door, nudging me awake. I heard someone climbing the stairs. The door opened to the room David and I shared and Mom entered. She sat on my bed and touched my shoulder. I turned onto my back, lifted my lids and smiled at her.

"The radio said the invasion of Normandy has begun," she whispered.

"Then will the war be over, soon?" I asked.

"Yes, soon." She said the last word with a choke.

"That's good, Mom," I said, yawning. "I'm glad." I sat up and hugged her. The scent of her perfume lingered a moment, and I smiled as I breathed in its sweetness.

She squeezed my shoulder. I thought she dabbed at something in her eye as she left the room. She went downstairs and put out the hall light from there, and I fell asleep.

It was just after midnight, Tuesday, June the sixth.

Both Mom and Dad knew I had been following the see-saw progress of the world conflict in the Toronto Daily Star. At only nine years of age, I could read the maps and knew what had been happening overseas, especially to the Jews. I knew about the German dictatorship and about the concentration camps and the crematoria. I understood that if the Nazis won, all the world's Jews, including our family, would be murdered.

It's hard to speculate - more than sixty years later - about why she woke me with this news. My guess is that Mom knew that I knew Hitler had to be defeated.

- Approx. 355 words

Tuesday, June 1, 2010

A Place for Deer, by Susan Christensen

The arid, parched soil clings to life;
No laughing breezes tickle its humour;
Few misty, moisty morns refresh its growth--
Just a dried out soul praying for relief
Withering from lack of attention.

The thunder clouds roll in
Lightening the dark with lightning energy
Meeting no resistance as its shards of pain
Ignite the tinder left unattended--
Seemingly waiting for the conflagration.

Fire storm.
Panic and pain.
No place to hide, to escape the heat;
The blistering invader lays waste to all
Stripping every superfluous speck of chi
From a once supportive life-force.

So cruel. Such devastation!
Such broken symbiotic connections.
Gone forever is the illusion of security and content.
The blackened stillness,
So stark in its soot and ash;
All life forced out,
The soil rests under its cauterized surface.

Pandora’s hope springs eternal!
Six months later
With delicate green tendrils peeking forth,
Life,
different, but life it is,
Makes a resurgence.
The soul of the forest is reborn.
This time -- with a place for deer.


By Susan Christensen

(Musings on recovery after trauma, both personal & environmental.)

Paradise in Canada

"From the Valley" by James D Clement

The Cowichan Valley: A uniquely beautiful part of the world, with its untainted nature reserves, its crystal winter snowfalls, its glorious collection of totem poles, and its trips through time by steam train. Within this collection of Canadian poetry, you will discover what a majestic valley it is. Author J.D. Clement, with his deep, meaningful verse and his beautiful imagery, takes you on a journey through this part of British Columbia and everything it stands for.

Turn up your speakers and click "Play".





Available at www.lulu.com

"City of Totems" and Copyright Act

On August 15, 2007 the Cowichan Valley Citizen published a newspaper article entitled "Duncan introduces totem toll".

It reported that a new City of Duncan Totem Copyright Policy stated the City "holds the copyright policy on the totem collection," and that "the use of the totem images in any form requires approval from the City of Duncan," and "Furthermore, the City of Duncan reserves the right to levy a copyright charge on a project by project basis."

I believe in the protection of copyright but I also believe in defending my personal rights and freedoms. As outlined in the Canada Copyright Act, and noted below, it is not against the law to photograph public art nor is permission required to take photographs.



Canada Copyright Act

Permitted acts

32.2 (1) It is not an infringement of copyright

(a) for an author of an artistic work who is not the owner of the copyright in the work to use any mould, cast, sketch, plan, model or study made by the author for the purpose of the work, if the author does not thereby repeat or imitate the main design of the work;

(b) for any person to reproduce, in a painting, drawing, engraving, photograph or cinematographic work

(i) an architectural work, provided the copy is not in the nature of an architectural drawing or plan, or

(ii) a sculpture or work of artistic craftsmanship or a cast or model of a sculpture or work of artistic craftsmanship, that is permanently situated in a public place or building;



This website contains digital collages that include photographs of totems. In all cases the carvers of these totems are identified along with the respective image at the time of posting. None of these images are offered for sale and they serve only to promote all artists and the Cowichan Valley.

In an article titled "Copyright law offers poor protection for aboriginal cultural property" David Spratley reported about the City of Duncan's claim to copyright in The Lawyers Weekly. He wrote "This policy is most likely unenforceable from a copyright perspective, but it highlights the disconnect between Canadian copyright law and aboriginal culture." Read more... .



Read something more about this at "Do you have a permit to take that photo?".

Friday, May 28, 2010

Venus winks

"Venus winks" digital imaging by Ron Greenaway inspired by the poem "Koksilah"" written by Rojan Zét.

Venus winks, digital imaging by Ron Greenaway

Tuesday, May 25, 2010

Vancouver Island passions

This story first appeared in the summer of 2005. A few years later, Luna the Killer whale, was killed in a collision with a tugboat. It is a sad story...

Carving by Doug LaFortune
© City of Duncan
Photo by Ron Greenaway

It was a small totem tour, only two visitors, probably in their twenties, who said, when introducing themselves, they were from Japan. They were, as I was later told, attending a university in Kamloops and studying English and Journalism.

We were well into the tour and I was telling them about a totem pole carved by Doug LaFortune. It shows an Eagle above a Killer Whale. In the fluke of the Killer Whale is the symbol of the Owl. The Owl is believed to be the spirit of a deceased person. The combined carving of the Killer Whale with the the Owl tells us about the Northwestern Coastal people's traditional belief that a Killer Whale seen from shore is the spirit of a deceased person returning to pay a visit.

I began telling them a current event story about "Luna", a Killer Whale, separated from its pod and living alone in Nootka Sound. He had been off the west coast of Vancouver Island for three consecutive years.

Nootka people living there believed that Luna embodied the spirit of their recently deceased chief, Ambrose Maquinna, returning to visit.

Killer Whales are highly social creatures and Luna was looking for things to interact with. Boats were about his size and he was known to disable and play with boats in Nootka Sound.

The federal government made attempts to pen the whale in order to capture and return it to its pod. First Nations people prevented that from happening. On "the news", all across Canada, people saw a group of Nootka people paddling a canoe out to deep water, away from the nets, to where he could not be captured. It was, I said, an amazing thing to see a massive Killer Whale swimming alongside their canoe to safety.

I was making the point that beliefs of the past were alive today, when a voice came from just beyond our little tour group. The voice was emphatic and angry, and said "They should have shot the bastard!". A man, in his early sixties, that I had not noticed before he spoke, immediately turned, stepped off the curb, and crossed the street away from us.

I am glad that at the time my guests from away displayed a great generosity of spirit. We seemed embraced and protected by the positive stories and energy of the poles. He had no affect on our enjoyment of the moment. But later, it made me think...

Friday, May 21, 2010

Chemainus, a poem by Rojan Zét

Chemainus

Under a bridge where late one night,
our first date here well out of sight
you touched me there; our bodies closed
and flowing with me indisposed, you
languished gently soft and sighing,
slipping down through trees belying
spirit movements, reminiscingRojan Zét is the resident poet of the Cowichan Valley Arts Café
carnal-knowledge-silver-kissing;
under me you seemed to hover and
now again you are my lover. Passing
by that way I feel a faithful friend
runs over me with constant mem'ry
sometimes tragic, giving me a taste of
magic making my ride worthwhile by
bringing to my face a smile that
gets me humming quietly each time
I cross triumphantly.

Rojan Zét

Monday, May 17, 2010

Simple-minded dreck

“In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art."
~ Sol LeWitt

Ode to Jackson Pollock II by Ron Greenaway
Ode to Jackson Pollock II
by Ron Greenaway


The image above was created at:
www.JacksonPollock.org

* JacksonPollock.org, one of the most famous works of Internet Art, is made by Miltos Manetas in 2003.
* Introducing the new Apple's Tablet Computer Named IPad, Apple CEO Steve Jobs said: "JacksonPollock.org" is one of the best websites to experience the iPad and "Jackson Pollock by Miltos Manetas" is definitelly the coolest application for the iPad. (link)
* JacksonPollock.org is People's Voice Winner of the Webby Awards
* Time Magazine listed JacksonPollock.org on the Top 50 coolest websites
* JacksonPollock.org is a Neen artwork

RandomPollock by Miltos Manetas is just published as iPad app and it works also with ipod and iPhone


In case you want to print out Pollock, there is a way to save it in vector! You need to have Adobe Acrobat installed (the program not just the Reader) and then you choose to print as a PDF. Try it! You can also simply "Print Screen an save it in an image eiting program like photoshop.

"It has been my observation that some of the younger curators embrace these examples of poorly thought out simple-minded dreck because, it provides them with the opportunity to expound on work that is confusing in its self-befuddlement, and so light weight and unedited that they, the purveyors of culture, can wax at length about the artist's "much deeper intentions." They suggest, without saying so, that these "artists" are savants; and that is why the Curator's task is so difficult... they must enlighten the rest of us. True, it's hard to come up with something about nothing. These charlatans passing themselves off as conceptual artists are poseurs. 99% of today's conceptualism should be destined for only two locations- the furnace or the dump. The other 1 percent should take its rightful place in the galleries, museums and collections at the zenith of the art world. It seems, these days, that the art world insists upon celebrating too much talentless jive; in this whirlwind of mediocrity, too many truly great artists have been lost."

~ John Aaron

Thursday, May 13, 2010

Koksilah, a poem by Rojan Zét

Koksilah

At our feet this river flows,
reflecting concentric rings
radiating energy from an edge
where our bodies crouch side by
side, the irregular grid of curved
waves meeting evening's approach
from below and above, looming
trees into darkness.

Interference patterns: Venus winks
from a deepening blue sky to watch
bats circle and swoop eating their
weight in small insects. Where is the
moon? Where is the sun that once
watched on another shore, another
day, one afternoon, butterflies
circling us just so...

our blood feeding the dance of butterflies
and roses, and the mosquito that feeds the
bat. Next to your skin, lace under a blue top
loose at the throat, your bare legs white against
mine, a river of blood lighting this evening's flow,
your skirt sliding from your leg, and those
naked toes curling into my sand.


Rojan Zét

Wednesday, May 12, 2010

Slam Dunk


Digital image visioning by Ron Greenaway, 2009
"Slam Dunk" poem written by Terry Una Lee

Tuesday, May 11, 2010

Crystal Heath receives People's Choice Award


Poppies and lavender by Crystal Heath
photo by Julie Nygaard


Crystal Heath's "Poppies and lavender" was chosen for the People's Choice Award by visitors to the Spring Arts Show & Sale extravaganza held April 21 - 25, 2010 at the Quw'utsun Cultural and Conference Centre in Duncan.

Saturday, May 8, 2010

August 15, 1945

“OUT OF THE WATER, EVERYBODY!” Mom shouted from the lakeside door of our rented cottage on the shore of Lake Muskoka. “Supper’s ready.” She retreated inside and the screen door slammed shut.

A hubbub ensued as, one by one, family and guests filed into the cottage, passing the battery-operated radio near the door. They dried themselves but left wet footprints on their way to the bedrooms or to the loft to change. It was a hot day and I was sorry to leave the water.

Since it was the middle of the week, Dad was at work in Toronto. I would miss sharing the major event of this day with him. There were Mom, my brothers Wilf and David and various Canadian and American relatives and friends. About thirteen people shared the cottage, and many of us had to double-up. We were part of the annual summer exodus from the hot city to the relatively cool countryside and were fortunate to have found this cottage on the water’s edge.

Mom and her sister, my Aunt Ray, put a cold supper on the table, stacking bowls, plates, cutlery and napkins at one end. In spite of August’s warmth, I knew that after supper, the adults would have hot coffee or tea, followed by the usual after-dinner liqueur. Of course, none of us children were allowed any of that.

Supper started at five o’clock and by 5:30 the kids were finished. We all wanted to go back into the water, but the rule was to wait for an hour for the food to digest; then we could swim without fear of developing cramps. To pass the time, we children washed the dishes, getting water from the pump on the counter.

There was no electricity in the cottage; we used kerosene lamps and flashlights to see at night and the radio to keep up with world news. Mom made sure there were spare batteries.

Not enough time had passed since supper, so after helping with the dishes, I talked with a family friend, my piano teacher, Mildred Spergel, while the other children played board games. “Mildred,” I said, “I can make up tunes in my head all the time, like this.” I hummed in four-four time. “Ever heard that before?”

“No I haven’t, Manuel. I think it’s just yours, alone.”

“I can make melodies in waltz time, too,” and I hummed in three-four time. Mildred listened and smiled. “One day, I want to learn how to write them.”

“I believe you will,” she said.

At 6:30 on the dot, all of us kids ran to the water and jumped in. We shouted, squealed and splashed, and the time flew by. Mom ordered everyone out at 7:30. The water was quite warm and, like the others, I didn’t want to leave it, but Mom’s tone meant we had better, right now. I didn’t want my swimming privileges cut off.

Joining the others in the main room, I heard a man’s voice drone from the radio. None of the adults was speaking. Some of them sat, unmoving, their faces like stone; others stood like statues, their cups or liqueur glasses perfectly still. They could have been a display in a museum, except for an occasional blink that revealed the life beating within.

“This is Matthew Halton of the CBC,” said a voice from the radio. I thought it might have something to do with the end of the war.

It was a few minutes before eight o’clock. The voice said, “The Japanese have just surrendered unconditionally. The war is over!” The adults smiled and raised their cups and glasses and shouted, “Hurray!”

I looked at Wilf. He smiled, then laughed. At fifteen and in high school, he knew what the war was about. I was aware, too: I was ten and could read the maps in the Toronto Daily Star and follow the progress of the conflict. I knew that Hitler’s suicide on April 30, Mom’s birthday, and Germany’s defeat on May 8 meant we Jews were safe, once again. The war that had just ended was the one against Japan.

Matthew Halton interrupted our celebration. “Ladies and gentlemen,” he said. “I have just been informed that the previous announcement was in error. The war against Japan is not yet officially over.” The adults groaned, lowered their arms and looked at each other, but no one said anything. The radio played music while everyone stilled themselves, seemingly suspended in time.

Again Matthew Halton reported that the war with Japan was over and hooting filled the air. Time advanced a few seconds. Then he said this announcement, too, was false, and moans saturated the cottage. The air took on a heavy thickness. The clock slowed once more. Time felt elastic, as if it were being stretched again and again.

The mood of expectation was palpable. Silence pervaded the room; hands held cups and glasses but no one drank, as if they were afraid the sound of liquid being swallowed might cause them to miss the news from the radio.

I walked over to Mom and sat by her. She put her arms around David and me. Wilf stood behind her. No one else moved. The other children had already joined their parents, sitting on their laps, on the floor or on the arms of chairs. We were serious and quiet; even I could not be my usual boisterous self. The radio played music; no one spoke or moved.

In a few moments, Matthew spoke again. I felt I was getting to know him through his voice alone. There was a certain tone in it, an expectancy perhaps, that his audience shared.

“Ladies and gentlemen,” he said, and stopped. I felt he spoke directly to us – to me -- in that room in the cottage. If he had materialized from the air, I would not have been surprised. Tension rose, if that were possible. The silence felt like an immoveable object surrounding my head, pressing, pressing.

“This is not a false alarm. I repeat: this is not a false alarm. The war in the Pacific is over. I repeat: the war in the Pacific is over.” For the first time, the radio played “God Save the King.”

The cottage remained quiet. The anthem finished. The only sound was the hissing of the kerosene lamps. I didn’t turn my head, but stole side-long glances at the adults. They sat like tree stumps. An announcer said we would be returned to the program in progress.

Someone reached out and turned off the radio. The sharp click signaled the start of a new era and the room erupted in shouts of joy and uncontrolled laughter. Tears trickled down the cheeks of virtually every person. I think it was my mom’s brother, Uncle Barney, who picked up David and me and pranced around with us under his arms, then put us down. He crouched to our height and said in a conspiratorial voice, his eyes shining and his face beaming wide, “Never forget this moment. Never forget!”


© 2006 Manuel Erickson

Tuesday, May 4, 2010

Cowichan Valley "City of Totems" private tours

Private totem tours are available of downtown Duncan, the City of Totems, in the heart of the Cowichan Valley on Vancouver Island, British Columbia, Canada.

A one hour walking tour of the City of Totems downtown for a group of any size can be arranged for $50.

Walking at a comfortable pace and taking time to take photographs, this tour will take just over an hour. Available year round.

Hear legendary stories carvers of these poles were inspired by when creating these artworks.

You won't be disappointed!

To arrange a private tour with a knowledgeable "City of Totems Tour Guide" send email to cowichanartist@gmail.com.

Carved by Harold Alfred and © City of Duncan
Photographs by Ron Greenaway

Carved by Harold Alfred and © City of Duncan
Photographed by Ron Greenaway